“Time Has Come” - it’s not just the title of Ben Poole’s new studio album – but also the consensus of the press, punters and star players who have caught this British gunslinger on his rise from hot-tip to headline act.
Already, Ben has been dubbed “f*cking amazing” by Jeff Beck, “really great” by Gary Moore, “ferocious” by Guitarist and “one to watch” by The Blues. When his second album lands on April 1st 2016, we’re gonna need some new superlatives…
Ben has moved fast since he burst out of the Brighton Institute of Modern Music onto the post-millennial scene. We’ve had the breakthrough debut album (2013’s “Let’s Go Upstairs”). We’ve had the rocket-fuelled live release (2014’s “Live at the Royal Albert Hall”). Now, “Time Has Come” fuses both sides of Ben’s musical personality, capturing the gritty velocity of his shows in a studio context.
“We really wanted to get a balance between a live-sounding album and a well-produced, polished-sounding one”, he explains. “There’s a rawness and edginess, but also a subtlety and intimacy. I think we captured what I’m all about with this album”.
In an age of sterile, computer-driven productions, “Time Has Come” is an album that lives and breathes. Recorded at Nottinghamshire’s Superfly Studios in late 2015, the sessions found Ben’s core band tracking nose-to-nose in the live room, with producer Wayne Proctor (King King’s drummer) and engineer Andy Banfield catching the sparks, and an anything-goes ethos spurring the collective to new heights.
“Wayne and I developed an amazing working relationship”, says Ben. “Neither of us were afraid to throw countless ideas out there, and nothing was dismissed, no matter how crazy it might have sounded”.
He’s always been more than a bluesman, and “Time Has Come” reveals the true breadth of Ben’s musical palette. There might still be nods to the kid who fell for Jimi Hendrix, Jeff Healey, Gary Moore and B.B. King in the ’90s, but this is unmistakably the sound of a mature artist planting his own flag.
“This album has a really nice overview of my style”, nods Ben, “covering everything from rock and blues to soul and pop, and even elements of funk and gospel. Artists we referenced frequently in the process were Robert Cray, Jonny Lang and John Mayer. I hope it’ll please the blues-rock guitar fans, but also have the depth and maturity to appeal to an audience beyond that”.
That’s a safe bet. Given Ben’s reputation, you’ll come expecting guitar fireworks, and won’t be disappointed, from the wah-soaked opener “Lying to Me”, through the nimble rock ‘n’ roll picking of “Stay at Mine”, to the impulsive call-and-response outro solo of “I Think I Love You Too Much”.
“It was great to be able to play that solo live with Aynsley Lister in the studio”, says Ben. “He was one of my favourite guitar players when I was growing up. We were hoping to pay homage to the version on Jeff Healey’s "Hell to Pay" album from back in 1990”.
Yet it’s the songs that are the stars here, and between the reflective strum of “Longing for a Woman”, the country-flavoured “If You Want to Play With My Heart” and the moody atmospherics of “Time Might Never Come”, Ben has never nailed his worldview with such eloquence.
“I think there’s some real depth to some of the lyrics”, he nods. “As with a lot of blues-based music, a great deal of it revolves around the subject of love, passion, heartache and heartbreak – but hopefully expressed in an elaborate and believable way”.
Tracklist:
01. Lying to Me
02. I Think I Love You Too Much
03. Longing for a Woman
04. If You Want to Play with My Heart
05. Time Might Never Come
06. Stay at Mine
07. You’ve Changed
08. Just When You Thought It Was Safe
09. Whoever Invented Love
10. The Question Why
“Time Has Come” also features the cream of Europe’s blues guitar players, Aynsley Lister, Henrik Freischlader and Todd Sharpville. Add to this wonderful backing vocals by Stevie Nimmo and you have a real quality album.
“Time Has Come” is the sound of an artist whose time is now – and an album that defies you to take it off your stereo or smartphone. “We finished recording the day before Christmas Eve”, remembers Ben. “Wayne and I went out to the local pub for several beers to celebrate, but then couldn’t resist rushing back to the studio at about 1am just to listen to the whole thing again one last time. We were that proud and excited about what we had worked so hard on for the previous five months. I genuinely think it’s the best thing I’ve ever done…”
Ben Poole and Stevie Nimmo UK Tour 2016:
Feb 04: Kendal Bootleggers Bar
Feb 05: York Fibbers
Feb 07: Leicester The Musician
Feb 11: London The Half Moon
Feb 12: Darlington The Forum Music Centre
Feb 13: Bingley Arts Centre
Feb 14: Worthing Southern Pier Pavilion
Mar 17: Shoreham-by-Sea Ropetackle Arts
Mar 18: Baron Upon Humber Ropery Hall
Mar 19: Durham Mickleton R'N'B
Mar 20: Kinross The Green Hotel
Mar 21: Oxford The Haven
Apr 29: Sutton Boom Boom Club
Apr 30: Selby Arts Centre
May 04: Newcastle The Cluny
May 05: Stirling The Tollbooth
May 06: Glasgow Oran Mor
May 07: Aberdeen Cafe Drummond
May 11: Cheltenham Vonnies
May 12: Chislehurst Beaverwood Club
May 13: Southampton Talking Heads
May 14: Hartlepool Supporters Club
May 19: Farnham The Maltings
May 20: Newbury Arlington Sports Centre
May 21: Derby The Flowerpot
May 22: Sheffield Greystones
Weblinks:
www.benpooleband.com
www.facebook.com/benpooleofficial
Already, Ben has been dubbed “f*cking amazing” by Jeff Beck, “really great” by Gary Moore, “ferocious” by Guitarist and “one to watch” by The Blues. When his second album lands on April 1st 2016, we’re gonna need some new superlatives…
Ben has moved fast since he burst out of the Brighton Institute of Modern Music onto the post-millennial scene. We’ve had the breakthrough debut album (2013’s “Let’s Go Upstairs”). We’ve had the rocket-fuelled live release (2014’s “Live at the Royal Albert Hall”). Now, “Time Has Come” fuses both sides of Ben’s musical personality, capturing the gritty velocity of his shows in a studio context.
“We really wanted to get a balance between a live-sounding album and a well-produced, polished-sounding one”, he explains. “There’s a rawness and edginess, but also a subtlety and intimacy. I think we captured what I’m all about with this album”.
In an age of sterile, computer-driven productions, “Time Has Come” is an album that lives and breathes. Recorded at Nottinghamshire’s Superfly Studios in late 2015, the sessions found Ben’s core band tracking nose-to-nose in the live room, with producer Wayne Proctor (King King’s drummer) and engineer Andy Banfield catching the sparks, and an anything-goes ethos spurring the collective to new heights.
“Wayne and I developed an amazing working relationship”, says Ben. “Neither of us were afraid to throw countless ideas out there, and nothing was dismissed, no matter how crazy it might have sounded”.
He’s always been more than a bluesman, and “Time Has Come” reveals the true breadth of Ben’s musical palette. There might still be nods to the kid who fell for Jimi Hendrix, Jeff Healey, Gary Moore and B.B. King in the ’90s, but this is unmistakably the sound of a mature artist planting his own flag.
“This album has a really nice overview of my style”, nods Ben, “covering everything from rock and blues to soul and pop, and even elements of funk and gospel. Artists we referenced frequently in the process were Robert Cray, Jonny Lang and John Mayer. I hope it’ll please the blues-rock guitar fans, but also have the depth and maturity to appeal to an audience beyond that”.
That’s a safe bet. Given Ben’s reputation, you’ll come expecting guitar fireworks, and won’t be disappointed, from the wah-soaked opener “Lying to Me”, through the nimble rock ‘n’ roll picking of “Stay at Mine”, to the impulsive call-and-response outro solo of “I Think I Love You Too Much”.
“It was great to be able to play that solo live with Aynsley Lister in the studio”, says Ben. “He was one of my favourite guitar players when I was growing up. We were hoping to pay homage to the version on Jeff Healey’s "Hell to Pay" album from back in 1990”.
Yet it’s the songs that are the stars here, and between the reflective strum of “Longing for a Woman”, the country-flavoured “If You Want to Play With My Heart” and the moody atmospherics of “Time Might Never Come”, Ben has never nailed his worldview with such eloquence.
“I think there’s some real depth to some of the lyrics”, he nods. “As with a lot of blues-based music, a great deal of it revolves around the subject of love, passion, heartache and heartbreak – but hopefully expressed in an elaborate and believable way”.
Tracklist:
01. Lying to Me
02. I Think I Love You Too Much
03. Longing for a Woman
04. If You Want to Play with My Heart
05. Time Might Never Come
06. Stay at Mine
07. You’ve Changed
08. Just When You Thought It Was Safe
09. Whoever Invented Love
10. The Question Why
“Time Has Come” also features the cream of Europe’s blues guitar players, Aynsley Lister, Henrik Freischlader and Todd Sharpville. Add to this wonderful backing vocals by Stevie Nimmo and you have a real quality album.
“Time Has Come” is the sound of an artist whose time is now – and an album that defies you to take it off your stereo or smartphone. “We finished recording the day before Christmas Eve”, remembers Ben. “Wayne and I went out to the local pub for several beers to celebrate, but then couldn’t resist rushing back to the studio at about 1am just to listen to the whole thing again one last time. We were that proud and excited about what we had worked so hard on for the previous five months. I genuinely think it’s the best thing I’ve ever done…”
Ben Poole and Stevie Nimmo UK Tour 2016:
Feb 04: Kendal Bootleggers Bar
Feb 05: York Fibbers
Feb 07: Leicester The Musician
Feb 11: London The Half Moon
Feb 12: Darlington The Forum Music Centre
Feb 13: Bingley Arts Centre
Feb 14: Worthing Southern Pier Pavilion
Mar 17: Shoreham-by-Sea Ropetackle Arts
Mar 18: Baron Upon Humber Ropery Hall
Mar 19: Durham Mickleton R'N'B
Mar 20: Kinross The Green Hotel
Mar 21: Oxford The Haven
Apr 29: Sutton Boom Boom Club
Apr 30: Selby Arts Centre
May 04: Newcastle The Cluny
May 05: Stirling The Tollbooth
May 06: Glasgow Oran Mor
May 07: Aberdeen Cafe Drummond
May 11: Cheltenham Vonnies
May 12: Chislehurst Beaverwood Club
May 13: Southampton Talking Heads
May 14: Hartlepool Supporters Club
May 19: Farnham The Maltings
May 20: Newbury Arlington Sports Centre
May 21: Derby The Flowerpot
May 22: Sheffield Greystones
Weblinks:
www.benpooleband.com
www.facebook.com/benpooleofficial